| Carolyn Hester | |
|---|---|
(Photo taken by Marri Lu Park) |
|
| Background information | |
| Birth name | Carolyn Sue Hester |
| Born | January 28, 1937 |
| Origin | Waco, Texas, United States |
| Genres | Folk |
| Occupations | Singer |
| Instruments | Vocals, guitar |
| Years active | 1957–present |
| Labels | Columbia |
| Associated acts | Bob Dylan |
| Website | www.carolynhester.com |
Carolyn Hester (born January 28, 1937, Waco, Texas) is an American folk singer and songwriter. She was a figure in the early 1960s folk music revival.
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Carolyn Hester's first album was produced by Norman Petty in 1957. In 1960, she made her second album for the label run by the Clancy Brothers. She became known for "The House of the Rising Sun" and "She Moved Through the Fair".[1]
Hester was one of many young Greenwich Village singers who rode the crest of the 1960s folk music wave, and appeared on the cover of the May 30, 1964 issue of the Saturday Evening Post. According to Don Heckman of the Los Angeles Times, Hester was "one of the originals—one of the small but determined gang of ragtag, early-'60s folk singers who cruised the coffee shops and campuses, from Harvard Yard to Bleecker Street, convinced that their music could help change the world." Hester was dubbed "The Texas Songbird," and was politically active, spearheading the controversial boycott of TV's Hootenanny when Pete Seeger was blacklisted from it.[2]
After failing to convince Joan Baez to sign with Columbia Records, John H. Hammond signed Hester in 1960. The same year Hester met Richard Fariña and they married eighteen days later. They separated after less than two years.
In 1961, Hester met Bob Dylan and Hester invited him to play on her third album, her first on the Columbia label. Her producer, John H. Hammond, quickly signed Dylan to the label.[1][3]
Hester remained relatively obscure throughout the folk revival. She turned down the opportunity to join a folk trio with Peter Yarrow and Paul Stookey and with Mary Travers the trio found stardom as Peter, Paul & Mary. Though she collaborated with Bill Lee and Bruce Langhorne, she stuck exclusively to traditional material. In the late 1960s, unable to succeed as a folk-rock artist, she explored psychedelic music as part of the Carolyn Hester Coalition before largely drifting out of the business.[1]
Hester has disputed David Hajdu's depiction of her marriage to Fariña in his book Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña,, and of supposed exaggerations in his description of the relationships between Dylan, Baez, Hester, and the Fariñas. Hester denies that Farina was as close to Dylan as some rock historians claim, and strongly disputes that Fariña was in any way responsible for Dylan’s success, as Hajdu insinuated.[2]
Hajdu also suggested that Hester had an ongoing rivalry with Baez and her sister Mimi. To this day, Hester maintains that she did not and does not know Baez well, and that they were never rivals, personally or professionally.[2]
In 1969, Hester married jazz pianist/producer/songwriter David Blume, composer of The Cyrkle's 1966 Top 40 hit "Turn Down Day," and together they formed the Outpost label. They also started an ethnic dance club in Los Angeles, and in the 1980s she returned to recording and touring. She and Nancy Griffith performed Bob Dylan's "Boots of Spanish Leather" at Dylan's 30th Anniversary Tribute Concert at Madison Square Garden in 1992.[1]
In 1997, Hester toured Germany for the first time. Her tour manager was Dirk Stursberg of M&K Management. As a friend she visited his home and bought a Teddy from his wife's company, the "Teddy Atelier Stursberg". A year later, Hester played in a festival in Denmark.
In 1999, Hester released a Tom Paxton tribute album. She appeared on A&E's Biography of Bob Dylan in August 2000. Blume died in the spring of 2006. Hester still owns and operates the dance club, and continues to perform and tour.[4]
CD Reissues of Early Work: